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4 Apr
Posted by Musashi
   
 

This week we discuss Gamespot’s acquisition of Giant Bomb, videogame journalism, doing the horizontal bop in Bioware games, and Benny Chan’s Shaolin. As usual, SPOILERS!

Show Notes:

Direct Download (.mp3)

 
28 Mar
Posted by AnaKhouri
   
 

Yesterday morning I was listening to Morning Edition on NPR (as you do) when I heard this gem of a story about Seizo Fukumoto, one of chanbara’s greatest unknown actors- unknown because he was never a leading man. He was (and is) just a guy who dies. A lot.

Listen or Read!

Fukumoto estimates he has died 50,000 times since 1959, often multiple times in the same film. He has a signature move and everything, and a pretty awesome outlook on his art:

 

In a trademark move, Fukumoto is dealt a fatal blow, then bends over backward, seemingly suspended in midair for a moment of final agony before crumpling to the ground. He says his movements have an awkward grotesqueness to them; it’s called buzama in Japanese.

“Whenever we die, we have to do it in a way that is unsightly or clumsy, not graceful,” Fukumoto explains. “In this buzama, we find beauty. To die in an uncool way is the coolest.”

 

There you have it folks. When you eventually die, make sure to do it in a really uncool way. Because that is the coolest.

(Note: I searched Youtube for videos of Fukumoto in action, but all I came up with was a bunch of trailers for The Last Samurai. If anyone can point me to some clips, please let me know!

 
27 Mar
Posted by AnaKhouri
   
 

In the past three weeks or so my allergies have gone fucking insane. The weirdly warm winter (haha alliteration) didn’t help, nor does the fact that the previous homeowners saw fit to plant not one, not two but THREE flowering trees in our yard. So I have some sympathy for the Japanese macaque, though I’m not dripping snot and rubbing my watery eyes (my allergies are the agonizing-sinus-pressure-and-painful-alterantely-dry–and-watery-eyes-so-bloodshot-I-look-drunk-off-my-ass variety).

http://www.metro.co.uk/weird/894314-macaques-in-agony-as-theyre-struck-down-with-hay-fever

 

 
27 Mar
Posted by Musashi
   
 

I’ve been using the name One-Inch Punch Games for my game-design efforts for some time now and maintaining a separate blog to track my progress. Unfortunately, I’m the only one who seems to visit the site (well, unless you count the host of Spambots who leave tons and tons of vaguely entertaining crap responses to my posts).

With that said, I’ve decided to start blogging those things here. With our dual focus on Asian Pop Culture and gaming – and with my intention to start blogging again on both topics – it makes sense to do so here rather than split my efforts between two sites. So I’m shutting down One-Inch Punch Games (the blog) and moving all that stuff to Yellow Menace.

So what’s going on right now? Primarily I’m working on finishing the layout for my zombie apocalypse RPG Horde of Corpses. You may have seen me mention it on Google Plus a bunch lately, and perhaps Story Games. As it stands I’m very close to finishing the first-draft layout of the old-school rules section. I’ve received a ton of awesome terribad art from the gaming community and I can’t wait for everyone to see their stuff in action, so to speak. I will be re-scanning the original pages and dropping them in, as well as re-drawing the Somerville Mall map (don’t worry – the crappy original will be in there too…).

Also, I’ve had some discussions with Tim at the Play Generated Map and Document Archive (PlaGMaDA) about donating the original manuscript once the project is done.  I love what Tim’s doing over there and the PlaGMaDA is a fitting repository for the document.

Some of you may also remember the chambara card-based RPG I’ve been toiling away on – Void and Steel. It’s still very much an active project, but between raising children, gaming, hosting two podcasts, and working a full-time job I had to concentrate my resources on one thing…and Horde of Corpses seemed the project most likely to see completion in the shortest amount of time – so I decided to focus on that. As soon as Horde of Corpses is out the door (hopefully this Fall) I’ll re-orient myself to pick up Void and Steel once again.

So what is the publishing goal of Horde of Corpses?

Ultimately I’d like to do two things – release a free .pdf version and a POD hardcopy via Lulu. I’m expecting zero financial return on this sucker, so if Lulu allows I’ll probably set the thing up at cost – no profit margin. So many people have given me their art gratis that I’d feel bad turning around and making a buck on the thing. That might make me a bad businessperson, but I feel better about it that way.

Finally – if you’re interested in playtesting Horde of Corpses (at least the modern ruleset, the Horde of Corpses Story Game if you will), here’s a link to the rules. I’m kind of in dire need of playtest feedback at this point so anything you can provide would be immensely useful.

There are a couple of other things I’ve got on the backburner, but I’d rather not say anything else at this point.

 
26 Mar
Posted by Musashi
   
 

This week we discuss the minor internet drama from a few weeks ago regarding Margaret Weis Productions alleged non-payment to freelancers. Yes, we know this is fairly old news at this point – we recorded this episode the day after the thing went semi-nuclear and because it all died down so quickly we held off on posting it. After some discussion, however, we think there is still some value in the discussion.

Also, we had a chat about some issues Ed has with indie game mechanics – which we never did really resolve. 

Show Notes:

Direct Download (mp3)

 
24 Mar
Posted by AnaKhouri
   
 

The King and the Clown bears a strong resemblance to the Hong Kong movie Farewell, My Concubine. Both feature a pair of performers, one of whom always plays female roles. Each of the more feminine men is gay and in love with his partner. In both films the performers are threatened with destruction by powers far beyond their control. But in Concubine the menace is the Communist government’s Cultural Revolution; in Clown it is a traumatized, maddened king.

Gong-gil and Jang-saeng are 15th-century street performers. Gong-gil’s feminine beauty dictates that he plays women’s roles, and the troupe’s manager often pimps him out to rich audience members. This infuriates Jang-saeng. Eventually things come to a head; in the resulting confrontation the manager is killed. Gong-gil and Jang-saeng flee to Seoul, where they join up with other street performers and create a new troupe. The ruler of Korea is the cruel, tyrannical Yeonsan, and when the troupe puts on a play mocking him and his favorite consort, Nok-su, they find themselves swiftly arrested. Jang-saeng manages to get the troupe an audience with the king; if their skit makes him laugh, he reasons, then they’ll be allowed to live. It works, and the performers become King Yeonsan’s personal entertainers, put up in the palace itself.

Yeonsan is especially interested in Gong-gil, and often calls him to his chambers, to the dismay of Jang-saeng. But Yeonsan seems almost as enamored the troupe’s art as he is in Gong-gil; instead of buggering him silly, as one (well, I, because my mind is filthy) might expect, instead he asks Gong-gil to teach him the art of puppetry. He inserts himself into the troupe’s plays, to the surprise of the performers who have to improvise around him. Finally he writes a play for the troupe to perform before an audience that includes the king’s grandmother and some of his father’s former concubines. The play details the story of his mother, who was forced to kill herself due to the machinations of the other jealous concubines and his grandmother. The play causes quite the uproar, and ends in bloodshed.

Things go rapidly downhill from there.

Nok-su decides she doesn’t like her man being more interested in a dude than her. She schemes to get Gong-gil tossed out- or better yet, executed- but her plans go awry when Jang-seang comes once again to his defense. Meanwhile, both the ministers and the citizens are getting tired of their crazy king, which means the joint is ripe for a revolution…in which Gong-gil and Jang-seang will inevitably be caught up.

The King and the Clown, despite being made a budget Hollywood would consider laughable, is a visually lavish historical film, rich with color. The costumes and sets are minutely detailed. The clothes and jewelry alone are enough to keep any girl’s attention, but it’s the acting and the subtle love triangle that really draw the viewer in. King Yeonsan (Jeong Jin-yeong) veers convincingly between brutal tyranny and an almost childlike vulnerability; his eagerness to be accepted into the troupe is almost pathetic. He’s a character that’s hard to like, but easy to pity despite his cruel acts. Jang-saeng (Kam Woo-seong of R-Point, reviewed previously by me) is easily angered, but his affection (love?) for Gong-gil is tender, and his brashness makes you like him whether you want to or not. Gong-gil (Lee Jun-gi) is hauntingly beautiful, a stark, quiet contrast to loud, personable Jang-saeng. But though the men around him variously want to own or protect him, Gong-gil has his own steel backbone, prominently displayed at the end of the film.

The King and the Clown is a movie that should make you cry, much as Farewell, My Concubine does. Yet the ending, while appropriate for the movie, doesn’t bring the tears. I think this is due to the relatively short amount of screen time given to the relationship between Gong-gil and Jang-saeng. Nothing is overt, and it doesn’t need to be. But the tense silences and angry words would be more deeply felt if we saw more scenes of them alone together. Once Yeonsan shows up, the film gives only short nods to the increasing frustration felt by Jang-saeng; Gong-gil’s feelings for him are shown only in tears and pleading. What the second part of the film needs is more of the quiet moments we see between the two in the beginning.

But despite these minor flaws, The King and the Clown will suck you right in and not let you go for two whole hours. It’s definitely a must-see for anyone with an interest in Korean cinema or history.

The Verdict: Not as good as it could be, but certainly worth your two hours.

 
20 Mar
Posted by AnaKhouri
   
 

Last year I found out about a little SF/fantasy con in Cincinnati called Millennicon. It just so happened that 2011 was the con’s 25th anniversary, so the Husband and I attended. We had an awesome time (read my con report from last year here) and so going back to Millennicon 26 was a no-brainer.

The con begins Friday afternoon, but what with babysitting considerations and all, we couldn’t get there before about 7:30 p.m. There was no line at registration (there wasn’t last year either). We’d pre-registered so picking up our badges and programs was incredibly simple and quick. The registration staff, at least at this point, was friendly and polite (unlike the veeeeeeery stressed registration staff you usually see at larger cons). Because we arrived so late we missed a couple panels that looked like they were interesting: Avengers vs. X-men and a Carcassonne match (all you Carcassonne players should be thanking your lucky stars too, because I am amazing at Carcassonne and would have handed all of you your asses). We weren’t able to stay for the dance, not because we’re too old to stay up past midnight- although we are- but because we had other plans. We don’t get babysitters very often, so we used to opportunity to see John Carter as well (notes: similar to the book, fun to watch, Woola is the best and most of the production budget probably went to buy self-tanning cream for the Red Martians). We stumbled into the house just before midnight so we could recharge for Saturday.

Saturday morning we arrived a bit late to the 10 a.m. panel Once Upon a Time There Was a Grimm. I hadn’t read the program description closely enough, so I was terribly disappointed to find out that the focus of the panel was two TV shows I had never heard of (we don’t watch TV- and I’m not being all superior here, we really don’t. We watch stuff on Netflix. Our little digital box isn’t even hooked up to the TV. No annoying commercials on Netflix). When I realized the panel wasn’t actually about fairy tales, the Husband and I made a slick getaway to the Art Show and Dealers’ Room. The Art Show was pretty impressive, lots of nice, reasonably priced artwork (lots of dragons). The Dealers’ Room is small but well-stocked, though I was saddened by the lack of used book sellers (there were a couple last year) and small presses (only one). Half of the room was taken up by steampunk costumery (is that a word? It is now), which doesn’t interest me in the least. There was also a new book dealer, a couple jewelry crafters and some art/stuffed shoulder dragons/fantasy weapons etc. booths. I bought a necklace to go with my awesome Gencon costume (check back in August to see the post-Gencon pics), and a CD by Tom Smith, a famous filker in the geek community and a hell of a funny, friendly guy. Last year he sang a song that almost killed me; literally, I was laughing so hard I almost choked to death. It’s about fairies. Here’s a video; ignore the dumb animated bits and just listen to the song. But not while eating or drinking anything.

We had lunch at the Max & Erma’s attached to the Holiday Inn. I had soup and salad, he had the biggest hamburger I have ever seen. Service was woefully slow, but we didn’t mind. I suppose they were short-staffed, and to be fair the menu notes that when buy the kind of hamburger my husband chose, it takes a little longer than a normal hamburger (my policy is that if I can’t lift it with both hands, I won’t eat it. He has no problem using utensils to eat a hamburger).

After lunch we hit a reading by local-ish lovable curmudgeon and multiple Hugo/Nebula award-winning author Mike Resnick. He read a couple stories; one a brand-new one he’d just sold that week, and the other an older one. He said it was his first award-winner (from the American Dog Writers’ Association, which should have tipped me off) and was called “The Last Dog” (another clue I should have fled). Instead I stayed, he read the story and I bawled like a little bitch with a skinned knee. Seriously. I can’t take dog stories. Here it is in audio, if you want to embarrass yourself in the privacy of your own home:

http://www.clonepod.org/2009/01/30/episode-27-the-last-dog/

After we fled, me wiping my eyes, we went to Coming Out of the TARDIS. It was a panel supposedly built around stories of geek ‘coming out’ experiences, and how people reacted to their revelations of geekery. I guess I have been lucky, or maybe I just tend to read my audience better (I’m not going to bring up Batman: Knightfall and the psychology of Azrael with the other library story time mommies, for instance, but I will with co-workers who are comic fans), or maybe I just don’t give a shit what anyone thinks of me, but I can’t say I’ve ever been shunned for being a fan. At any rate, halfway through an interesting discussion it got derailed into a debate about what was wrong with the J.J. Abrams Star Trek movie and never really seemed to get hauled back on track.

After that was Short Story to Novel Transition, featuring Resnick and several other authors. I assumed it was a panel offering tips for short story writers to segue into novels (one of the panelists did try to do this, as she apparently assumed the same thing) but it was much more a debate about whether a new writer should start a career with a novel or by doing short stories first. Resnick, in classic style, seemed to be pissing off the rest of the panel by stating that new writers should start with a novel, should write what publishers ask for and never sell a story to any markets that don’t pay SFWA professional rates. While I thought his advice was wise-to an extent, if you want your career to be lucrative- I also thought he was coming from an older time. He doesn’t seem to take advantage himself of the opportunities offered by e-publication very often, which are a godsend to a new writer. But then, I have already violated all his rules, so perhaps I am biased. I always enjoy hearing him talk about writing, even if I don’t always agree with him. Resnick says exactly what he thinks, always, which is not a bad quality when you are trying to learn from him.

I then accompanied the Husband (a biochemistry researcher and Ph.D) to Science: Love It or Hate It. We, as you can probably guess, love it. None of the panelists were researchers, which is not knocking them, but the Husband had been interested in the opinions of other researchers on the first line of Science (we always pronounce it with a capital S). What we heard was rather the old generation war: young folks today aren’t interested in science, they have computers to do everything and can’t use slide rules/the abacus etc, CNN science articles are idiotic (well, we all agree there). The conversation might have come around to other topics, but the Husband wanted to slip out so we did. After peeking in at the Tom Smith concert (“I rule you, you rule me/Someone rules us secretly/It’s a vast conspiracy/the Illuminati Polka!”).

Next up was Shuttle: Reflections and Predictions, with the Guest of Honor, SF writer Tobias Buckell. The panelists seriously knew their shuttle history, but diverged when it came to the ‘predictions’ bit. The large audience was very involved and knowledgeable themselves…all except for me. Once the Science started being thrown around, my barely-functional brain bowed out. I got a whole scene written in my new werewolf story, though.

6 p.m. Was Winter is Coming, obviously a George R.R. Martin panel (more specifically, a discussion on how the first book in A Song of Ice and Fire was translated to the screen in the HBO series). I got to bitch about the lack of The Hound in the first season, so I was totally happy. There was also more interesting discussion on casting and predictions for the second season, which starts next month; we saw the first season after a wonderful friend DVR’d it and then recorded it on VHS for us- those were big, bulky things with tape in them that we watched before Hulu, kids.

Finally we ate dinner at Skyline. I am an anomaly in the larger world; I prefer watery, sauce-y, sweetish Cincinnati chili to real chili. I had a 3-way (I love to tell people this who don’t live around here, their eyes get really wide), a coney and a Pepsi. I always have to have a coney, no matter what else I am eating. I will make room in my stomach for a coney; anytime, anywhere.

We wandered back in time for a speculative poetry panel (specpo?), What Rhymes with Gamera (camera?). The Husband writes poetry and was intrigued by the idea of a market for specpo. The single panelist, Matt Betts, was super-knowledgeable (he’s a specpoet himself) and very willing to answer any questions. Even though I write prose exclusively (I have NEVER been a poet, I just can’t. Funny how things people tend to think of as easy- poetry, kids’ books- are usually the hardest to write), I thought the presentation was interesting and the huge packet of specpo resources and examples was interesting to read.

Then we hit the Masquerade. Millennicon is not a costume con by any means, and most of those costumers are RenFaire types or steampunk fans. The Masquerade had eight entrants, all of whom were quite good. It ended earlier than expected. I’d mentioned to my husband that I wanted to hit up MadLibs SlashFic (with a panel name like that, how could I not?) just to see what it was about, and then I would slip out. He declined to attend with me, which was too bad for him because instead of staying 15 minutes I stayed almost the entire hour. Originally I stayed because there was only one other audience member there and it would have been awkward to walk out, but pretty quickly I got into it, coming up with the most exotic verbs my decently expansive vocabulary holds. I think ‘exsanguinate’ was the evening’s winner (I didn’t mention to the very funny panelists that I learned it from an episode of The X-Files…you know, the one where the identical girls end up being clones of this mad scientist lady and kill their parents?). Eventually some other participants rolled in and I left, more because I pitied the Husband than because I wanted to leave.

Sunday morning we hit the con bright and early at 10 a.m. for Geek Pimp Squad. The program description was a little vague so I wasn’t entirely sure what to expect (the name of the panel was definitely promising though). It turned out to be about how technology has seeped into every level of society; even janitors have to be computer literate to order new stock. The discussion covered what would happen, in our hyper-connected country, to the people who are unable or unwilling to learn, and which worker class ‘geeks’ mostly belong to (uhhh…retail worker here, and proud of it). It was a very interesting discussion.

 

After that we hit the art show and dealers’ room one last time; I bought a dragon print (by Theresa Mather, www.rockfeatherscissors.com) and the Husband bought a cool space print. I found a sparkly stuffed dragon for the toddler, which immediately became A.) the nemesis of The Superhero Squad and B.) the pet of the people who live in his Fisher-Price dollhouse. A real double identity there!

Last panel of the con was Death of the Bookstore. This subject is of particular interest to me because, well, I work at an independent bookstore. The large and involved audience discussed with the panelists the fall of Borders, the rise of e-books and the crushing blows dealt by Amazon. It definitely left me with a few things to think about.

After that, sadly, we were done with the con and had to return to real life (the babysitter-my mom- had to leave for the 2-hour drive home, bless her).

Millennion 26 didn’t entirely live up to my expectations, formed after last year’s con, but it was certainly a weekend well-spent. I had hoped for more writing-related panels or literary panels, but-as the saying goes- you have to be the change etc etc, so I’m thinking that next year I will fill out a handy programming submission form and host a couple myself. Maybe one about real fairy tales…

I’d like to thank a couple people for making my experience that much more enjoyable and useful: Denise Verrico, a Columbus-based author who kindly answered my questions about the women writers’ organization Broad Universe (admission application sent yesterday!) and Ariyana Dragonwagon, one of the MadLibs hosts who was a lot of fun and who complimented me on the dress I wore Sunday (vintage 70′s blue boho prairie, ebay, $15), and also Ramon Crespo (who must work every local con there is, as I have seen him at two others), who issued my initial invitation to Millennicon last year and who paused in his busy day to speak to me in the dealers’ room. People like you are the reason I love cons!

The Verdict: We’ll be back…

 
16 Mar
Posted by AnaKhouri
   
 

Most of the kids I know are not particularly bright. Even when I was a kid, most of the kids I knew back then were not particularly bright. Things like causality and logic tend to escape them. Superman wears a cape and he can fly, right? So if I tie a sheet around my neck and jump off the garage roof, I can fly too, right? Never mind that Superman is from Krypton and you’re human.

It seems Chinese kids are pretty much the same way, according to this article. Sadly, two little girls drowned themselves so they could travel in time…as apparently happens a lot in Chinese TV shows.

NY Daily News Article

I can’t think of any American TV shows where people have to die in order to travel through time. The wild thing is, apparently this happens often enough that the Chinese government has banned showing time travel shows during prime time. I suppose, I dunno, finding another way to travel in time is out of the question.

(honestly, I wouldn’t mind traveling in time after I die…but I’m willing to wait until I am 110 or so)

 

 

 
13 Mar
Posted by AnaKhouri
   
 

Note to readers: if you type ‘crying bear’ into Google Image Search, you get some seriously disturbing results.

So this is totally old news, but I wasn’t around to post about it so…I’m sure anyone who has read my posts on North Korea’s Dear Leader probably thinks I was dancing in the streets when he finally bought the farm a couple months back. Wrong! I was devastated and still am. Kim Jong-Il, despite being a complete windowlicker and all-around creep, was a hell of a lot of fun to mock. I could always count on him to turn my frown upside down if I was having a bad day, because I could always think, “Well, this asshole ran a red light and t-boned my car, but at least I don’t live in North Korea.”  <– true story, it happened right before Christmas

Luckily for me, his successor Kim Jong-Un has every indication of being just as much of a nutjob as his father and grandfather, so hooray for that. And with Dear Leader’s death came a tidal wave of fucked-up news from Pyongyang, including this charming tale of animals mourning his demise:

http://www.reuters.com/article/2012/01/09/us-korea-north-birds-idUSTRE8080E720120109

This rings false to me for two reasons: if there were are bears in North Korea, the starving populace would have hunted them down and eaten them by now, and even though bears’ eyes produce tears, there is not a shred of evidence to suggest they feel emotion. Probably whoever drove past the bears (who should be hibernating anyway if they haven’t been eaten) threw up a cloud of dust that got in their eyes. As for the magpies…those fuckers don’t care about anyone but themselves. My old landlord was a magpie and it took him about six months to fix the leaky pipe under the kitchen sink. Well, at least I could pay my rent in quarters and bits of tin foil. Magpies, ugh.

 

 
11 Mar
Posted by AnaKhouri
   
 

So, where has my cute ass been? I haven’t posted on YM since December 1st, 2011, according to my account. Well, I suppose I have been on hiatus. Those of you who listen to the podcast know I’ve been active on that, just not posting on the site. Maybe I just needed a little vacation from blogging for a while?

At any rate, I am back. I intend to post at least three times a week my collection of Asian news, tales of despair and woe, weird shit, and anime junk. In addition, I am looking at doing another Review Blitz (1 review a day for a whole damn month) sometime this spring/summer, probably May or June.

If you want to hook up (ew, not like that, I’m married) I’m going to be haunting the panel rooms of Millennicon 26, in Cincinnati, Ohio next weekend. It’s an awesome little SF/literary con so everyone who can get there, should. OR ELSE.

In addition I’ll be off my leash and wreaking havoc at Gencon in August along with almost every other member of the YM crew, so hopefully I’ll see you all there.

http://www.millennicon.org/     <– look it up, bitches!

 

 

 

 
5 Mar
Posted by Musashi
   
 

This week Alex makes a super half-assed pitch for his gonzo, retro-RPG Horde of Corpses…and we ask the question ‘If you can’t win an RPG, is it a game?’ No, really – it’s a thing we talk about. Tune in to hear our strategy for beating up the Podge Cast guys, reminiscences of failed game experiments (including the one Alex is publishing), what wargame features an average play-time of 1200 hours (and why), and what we think of Diplomacy. And as you’d expect, just talking about Diplomacy starts an argument. Imagine what playing the actual game must be like!

Show Notes

Direct Download (mp3)

 
27 Feb
Posted by Musashi
   
 

This week we take a look at the (already) lagging sales of the newly-released Playstation Vita, pimp a great new Kickstarter, and review Olivier Assayas’ 1995 indie flick Irma Vep – which may seem off-topic…but features the legendary Maggie Cheung as herself. The verdict: three ups and one big down.

Show Notes

Direct Download (mp3)


 
15 Feb
Posted by Musashi
   
 

This week we review the 1994 smash-hit videogame adaptation Double Dragon! Actually, that’s a total lie – this film was an abysmal failure…but somehow 3 of the 4 Yellow Menace crew found it in themselves to assign a thumbs-up! Find out which one of us was a total wet blanket! Also, Alex talks about really old video games none of you will care about, and we discuss young adult fiction. Okay, it’s really a discussion about the impending U.S. release of Battle Royale – but, as always, we get all wander-y and shit.

Show Notes

Watch the movie (seriously, the whole thing) on YouTube

Download (mp3)

 
9 Feb
Posted by Musashi
   
 

This week we talk some video games – Farmville and Saints Row 3 – and review the Filipino exploitation film documentary Machete Maidens Unleashed! And after the movie talk, find out why Alex is the ‘Filipino Ron Jeremy’.

Show Notes

Direct Download (mp3)

 
26 Jan
Posted by Musashi
   
 

So here’s our take on the impending release of Dungeons and Dragons 5th Edition / D&D Next, or whatever you wanna call it. Wherever you stand on the issue, I suspect you’ll find something to hate about this one.

Show Notes:


Direct Link (mp3)

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