About midway through Sebastian Gutierrez’ entertaining vampire flick Rise: Blood Hunter, the lead bloodsucker asserts something to the effect of “Sex and murder are the only real pleasures man has left.”

But in the world writer/director Gutierrez creates, those are actually the only pleasures left to vampires, much to their cost. They can’t eat food, hold no love for their fellow creatures, are cut off from their families (due to their being, you know, dead) and must hide their true natures from unsuspecting humanity. And, of course, there’s the little matter of an irresistible craving for human blood.

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A supremely skilled fighter wanders the Earth, like Caine in Kung Fu, looking for the ultimate battle in Death Trance, a rip-snorting action film directed by Yuji Shimomura, action director for Versus, and featuring Versus lead Tak Sakaguchi as action director and leading man. The 2005 film is available on DVD in the United States courtesy Media Blasters.

Sakaguchi plays Grave, a mysterious man of few words who raids a hidden temple for a coffin the local monks had been guarding for a century. Rumor has it that the coffin will grant a person a wish. But when a Ryuen, young apprentice monk (Takamasa Suga), returns shortly after the raid, the head monk warns him that opening the coffin will release the Goddess of Destruction. He hands Ryuen a sword with an amazingly phallic handle and urges him to track down the thief with the sword. Unfortunately, many others are also after the coffin for the power it contains.

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One of the nice bonuses of 2007’s Quentin Tarantino / Robert Rodriguez tribute to low-rent cinema, Grindhouse, was a flurry of DVD releases of exploitation movies.  One notable set was a batch of “Welcome to the Grindhouse” double feature DVDs by BCI / Eclipse, which offered similarly themed genre pictures along with a “grindhouse experience” of titles and trailers.  

Along with horror and women-in-prison flicks, “Welcome to the Grindhouse” offers up some old chop socky films, and what better than the public-domain exploits of badass extraordinaire Shinichi “Sonny” Chiba and his Japan Action Club, featuring the lovely, talented and deadly Etsuko “Sue” Shiomi.  One such title features the 1976 films Dragon Princess (Hissatsu onna kenshi) and Karate Warriors (Kozure satsujin ken) (Another release features Chiba and Shiomi in The Bodyguard and Sister Street Fighter.)

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On May 20^th and 21^st, Cinemark did America a favor and performed a two-night showing of the first live-action Death Note movie. The 2006 film has been floating around in bootleg, Hong Kong (and now official) releases, but this was the first and only time it was shown in an American theater.

I probably don’t need to explain the plot of Death Note, since everyone in the Japanese and English-speaking worlds seems to not only know about it, but also reads it, draws fanart, and writes naughty fanfiction for it. But just in case you’ve been living in a submarine, here’s a quick overview.

Light Yagami is a golden boy: smart, handsome, personable, and an all-around good guy. He’s a high school student with no doubt he’ll get into college and change the world. But the chance to change things comes a little earlier than he expected when he comes across a strange notebook marked “Death Note”, with a list of odd rules for the notebook’s use inside. It seems Light has stumbled upon the Death Note of a real live shinigami, or death god, and he now has the power to kill anyone he likes simply by writing their name in the book.

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Centurion sent us another review - this time for the mixed martial-arts flick Redbelt. Gotta admit, I’m really curious about this one - I dig MMA and David Mamet in equal measure, so a David Mamet flick about MMA is right up my alley…and according to Centurion, it’s actually pretty good…

So…without further ado… Read the rest of this entry »

Our good friend Jason (aka ‘Centurion’ for old-skool Yellow-Menace / Destroy-All-Monsters visitors) sent us this short-but-sweet review of the new Iron Man movie.

Much to the surprise of some of my friends, I didn’t read comic books when I was growing up. I watched cartoons like other kids, but I never really got into the whole comic thing. I knew the headliners like Superman, Spiderman and Batman mainly because their either had their own movies or their own cartoons. I may have heard of Iron Man and knew a bit about the character: Billionaire playboy turned superhero who flies around in a metal suit blowing shit up. That was pretty much all I knew, but it was enough. When I heard this movie was coming out I had a mix of boyish excitement and nervous dread. An Iron Man movie could either be very very cool, or very very horrible. My first question of course, was who is going to play lead head.

The answer was Robert Downey Jr., and I can honestly say once I heard it I was intrigued. I had long been a half-hearted fan of Downey ever since I first saw his drug addict performance in Less Than Zero; a movie which would ironically describe long periods of Downey’s life. Downey was this somewhat insane and unpredictable Hollywood cat. He was Johnny Depp before Johnny Depp was, although with a lot more drug and criminal baggage (or at least his was more public). In addition to this he was by all accounts, a complete asshole. Right or wrong he was at least up front about it, and that at least I always admired. I mean, who better to play a ruthless, cold, sarcastic, egotistical weapons dealer than Robert Downey Jr.? I think the trailer speaks for itself.

Even as cool as this all seemed, however, I had to know if it would live up to the hype. After seeing the movie I can honestly say it does, and then some. It is dramatic and cool without taking itself too seriously. There are a lot of comedic moments, mainly Downey’s, that just work. The script, the performances, the special effects, the direction and even the pace of the movie are superb. I’m not one to geek out when I’m at a theater, but I can honestly say I was alternating between laughing out loud, clapping, cheering and just sitting there staring in amazement. I think the best compliments I can pay the movie are these: First, I was so into the story that the special effects took a back seat, which is very impressive considering what an effects-driven movie this is. Second, I’d pay to go see it again, tomorrow.

If you are even remotely interested, or if you just want to feel like your money is well-spent when you go to the theater, then go see Iron Man. Now.